by Ishmael Reed
Michael Savage, Rush Limbaugh, and Glenn Beck who engage in a sort of corny 1930s styled racist rhetoric could learn from Sarah. At times they look as though they’ve lost their minds and are not pleasant to look at, while a manicured, buffed Sarah, who doesn’t go lightly on the eye shadow, looks better. She is salmon colored and though middle-aged wears baby doll clothes and if you Google her name, Sarah Siegel, along with “images” you’ll find her posing in photos some of which have blacks smooching her.
The Nov. 22 blog “Gawker” points to the way Limbaugh, Beck and Savage have tried to associate Obama and his administration with rape imagery. Ain’t they out of touch. Sarah Siegel has joined an innovative marketing plan that couples Obama’s name with the most extreme of sexual crimes.
This woman, who hangs out with Hollywood stars and unlike Bill O’ Reilly, an Irish American who has lost his way, knows that blacks are able to handle table utensils– she’s dined with them—might have invested in a movie that some are calling the worst depiction of black life yet done.
New York Press critic, Armond White, in a brilliant take down of the movie, compares it with Birth of a Nation. I would argue that this movie makes D.W. Griffith look like a progressive. Moreover, I’ve looked at a number of pictures that show how the Nazis depicted blacks and though Jewish and black men appear as sexual predators in many, I’ve never run across one in which minority men are shown as incest violators.
The black sexual predator is represented obsessively in the novel that inspired the bombing of the Oklahoma Federal building and the recent murder of three Pittsburgh policemen. But not even The Turner Diaries, by William Pierce stigmatizes black men as violators of the incest taboo at a time when the black male unemployment rate is 25% in some cities, 50% in New York. It took Hollywood liberals and their pathetic black front people to do that. Is there a role that black actors won’t perform? One that celebrity blacks won’t lend their names to?( If the white Oscar judges perpetrate a cruel joke by awarding this film Oscars, will the black audience members stage a walk-out even though it might mean never working in that town again?)Indeed it was Oprah Winfrey’s endorsement of the film that convinced the investors that they were on to a hot property. The Times’ reports:
“A deal did not emerge for “Push” until about a week after the festival ended, with potential distributors balking over the price insisted upon by Cinetic Media, a New York marketing and sales company for independent film, according to two people with knowledge of how the deal came together but who were not authorized to speak publicly.
“A spokeswoman for Cinetic declined to comment, but bidders said Ms. Winfrey and Mr. Perry had been crucial to the deal’s coming together.”
Indeed, the business model for both the book, Push, by Sapphire renamed Precious, for the movie by Lionsgate, which beat Harvey Weinstein for the rights in court, was the black incest product, The Color Purple, which has been recycled so many times that comedian Paul Mooney says that he anticipates a Color Purple on ice. But even that incest film doesn’t go as far as Precious, which shows both mother and father engaged in a sexual assault on their daughter in graphic detail, Sarah Siegel’s way of solving her “niche dilemma.”
Ishmael Reed is an award-winning novelist, author & essayist. He was born in Tennesse & raised in Buffalo NY and is a former journalist for the Buffalo Challenger. His next book “Barack Obama and the Jim Crow Media: the Return of the Nigger Breakers” will be published in the Spring by Baraka publishers of Quebec. He is the editor of Konch. He can be reached at: